Welcome to the website of Juhi Bansal.

Thanks for your interest in my music – please feel free to contact me if you have any questions, comments or concerns!

A new project for 2012

Very excited to announce the New Lens Concert Series  - my new project with composer Garrett Shatzer and Kevin Krentz of the Finisterra Trio. We’re touring the West Coast performing new music!

New Lens Concert Series: Rediscovering the Masterworks Through Contemporary Music!

The mission of New Lens is to

Juxtapose Eras.

We believe that the 20th century witnessed a rift between classical composers and audiences that has still not been fully repaired. While the complete closure of this divide is an ultimate dream, our immediate and obtainable goal is to show today’s audiences that there are contemporary composers whose aims and aesthetics align with that lost era. We do this through careful programming of pieces by living and/or obscure composers and selected masterworks by those firmly established in the pantheon.

Evolve the Program.

Though the variety of venues for classical music has been steadily growing over the past few decades, the way the music is presented has remained virtually unchanged for centuries. Our concert series radically alters this by performing two sections of continuous music with only the slightest pause between pieces. Larger pieces are connected by shorter compositions for subsets of the featured ensemble. The result is a pair of seamless wholes that contextually reframes each piece within them.

Transcend Assumptions.

To the dismay of “new music” musicians, many classical music consumers prefer to attend concerts featuring proven rather than emerging composers. These concertgoers assume that contemporary music has little in common with their beloved repertoire. But what if these listeners struggled to distinguish lesser-known works of the great composers from those of today’s composers? What if they weren’t informed of the program prior to the performance? We conceal our programs from the audience until after each half has concluded, thus eluding many preconceived notions that the listeners may have based simply upon the composers’ names and dates. The audience may then be more receptive to new music, and if they find themselves enjoying it, we hope that they will seek out the music of living composers in the future.

We have shows planned for:

April 16, 2012: Seattle, WA: Good Shepherd Center
April 17, 2012: Los Angeles, CA: Special Outreach Concert at Renaissance Arts Academy
April 18, 2012: Los Angeles, CA: Pasadena Conservatory
April 19, 2012: San Francisco, CA: Special Event with Salon97
April 20, 2012: San Francisco, CA: Old First Church

 

More details here: http://twitter.com/#!/NewLensConcerts

 

Press

Just received a cutting from the Straits Times of Singapore, reviewing a performance of The Lost Country of Sight from April 2011. My sincerest thanks to Makarome Teck Kay Tony and the ensemble at the Yong Siew Toh Conservatory for their performance.

Chang Tou Liang describes the piece as having “lucsious strains” and “light and transparent (scoring), enabling the words to be highlighted.” In Mr. Chang’s words, “another reading will be keenly anticipated.”

Lost Country Review – Soaking in surprises (Singapore Times Life!, C15 12 Apr 2011)